Becki Bouchier is a Singaporean-Australian filmmaker living in Naarm/Melbourne. As a writer/director, Becki's work spans both drama and comedy, and champions female-driven stories. She has worked in film/TV development and as a notetaker in writers' rooms for companies such as Matchbox, Werner Film Productions, Tony Ayres Productions, Sweetshop and Green (now MOFA), Dreamchaser, and more.
Becki was selected for Endemol Shine Australia's Early Career Writers' Program, working on NCIS: Sydney S3 from 2024-2025. In 2022, she was the Victorian recipient of the SBS Emerging Writers' Incubator, and spent a year working on the scripted development team at production company Sweetshop & Green.
Becki's short film Snapshot (which she wrote and directed) had its world premiere at Austin Film Festival, and was nominated for an Australian Directors' Guild Award as well as an Australian Writers' Guild AWGIE Award. Her screenplays have been shortlisted for a range of Australian and international scriptwriting competitions, and she has been accepted into the Australian Writers’ Guild’s Pathways Showcase with two television pilot screenplays. She has completed a Master of Film/TV (Narrative Directing) at the Victorian College of the Arts.
Becki wrote and directed two plays - Orgy at the End of the World (2025) and Chasing Yesterday (2019). Both performed at Melbourne Fringe Festival to rave reviews. Becki completed an artists’ residency with Platform Arts in 2020, and the associate artist program with The Voice in My Hands independent theatre company in 2021.
Having worked extensively as an editor on a range of TVCs and online content, Becki has contributed to many case studies that have gone on to win awards at festivals such as Cannes Lions and London International Awards. She has worked in a freelance capacity as well as in-house at production companies and advertising agencies.
Becki is incredibly passionate about bringing her stories to the world via film, and with the recent push for gender equality and cultural diversity within the industry, she feels there has never been a better time to make herself heard.